
Pain & Pleasure
Get up close and uncomfortable with the writer, find out what lies behind the words and where the tears are rotated.
HOW YORKSHIRE LOVE POEMS AND OTHER DESPERATE STUFF CAME TO BE.
Pick away at the sores, the soars and the splendours; no escape here for the writer, push and push and push.


ESCAPE TO ESCARPMENT
EVERYTHING IS UP FOR GRABS
Forensic exploration with a writer open to your every question.
Expect some reaction with a writer free to respond with vigour.

CHRISTOPHER AKA COASTMOOR
DROP BY AND INTERROGATE
Creative Writing via Zoom – Monday 10:00-13:00
Close Reading Week 1
Permed Hair

That old permed and wrinkled hair
Wet on a wet old Sunday afternoon
That boldly disconnected playful hair
Deftly weaves, wefts, and poses
To hide behind the sufferer’s gloom
That old iron-clad coal fire
Crackling, fizzling, bristling
On a stacked-up dubious afternoon
That old slow-breathing coal fire
Slightly seething, even unbelieving
Seeks out the cloud-willed moon
That old worn-away, torn day carpet
Bare, thread-less, no need to broom
Dreadful, pained, wasteful afternoon
That old worn, shorn, blue carpet
Once interwoven with dreams
In this, the cold, cared-less room
Absolutely nothing, no thing
Nothing to think, or to do
On a nothing, no thought afternoon
That old absolutely no thing
Corrupting ambiance’s silent call
Dividing a nation unable to zoom
Stop, loping; all together, so soon
That old splattered paint pot
Latter day’s blues and gold’s
A painter’s painting afternoon
That old paint pot of porcelain
Gleaming thus then seeming
As bright as your eyes illume
That old rickety-rackety red pen
Worlds determine to unfold
Rolled in by the wistful afternoon
That old tic-tac-toe red pen
Groping then unbelievably hoping
That with sufficient swaying
Joints, with slow slow swoons
Our minds may sway the tune